Expected Preparations:
|
|||||||
|
|||||||
Keywords: UCSF ChimeraX; Structure visualization; Structure analysis | |||||||
|
|||||||
Objectives:
This unit will …
|
Outcomes:
After working through this unit you …
|
||||||
|
|||||||
Deliverables: Time management: Before you begin, estimate how long it will take you to complete this unit. Then, record in your course journal: the number of hours you estimated, the number of hours you worked on the unit, and the amount of time that passed between start and completion of this unit. Journal: Document your progress in your Course Journal. Some tasks may ask you to include specific items in your journal. Don’t overlook these. Insights: If you find something particularly noteworthy about this unit, make a note in your insights! page. |
|||||||
|
|||||||
Evaluation:
|
This unit introduces the molecular viewer UCSF ChimeraX, starts you off on a routine to practice stereo viewing of molecular models, and teaches how to use ChimeraX to solve a number of common visualization and analysis tasks.
To view molecular structures, we need a tool to visualize the three dimensional relationships of atoms. A molecular viewer is a program that takes 3D structure data and allows you to display and explore it. For a number of reasons, I use the UCSF ChimeraX viewer for this course1:
Task…
Installation
First tutorial
open 1bm8
in the commandline to load the 1BM8
structure from the PDB.color sequential #1/A palette blue-white-red
into
the command line. The expression #1/A
means: Model number
one, chain A. You can find the model number in the Models pane,
in the ID column.show #1/a:49-74 target ab
. The first part selects, and the
target
command sends the selection to an action - in this
case ab
, “Atoms/Bonds”. Also set the cartoon representation
in this region off: hide #1/a:49-74 cartoon
. Note that you
can Edit ▹ Undo and
Edit ▹ Redo commands.hide H
.)color #1/a:49-74@N* cornflower blue
. Again,
deselect.That should get you an idea to get started. To note: if you know what you are doing, the command line is always faster than the menu. The menu helps you to explore what you don’t know yet. Every menu command is repeated with its command line equivalent in the Log pane, and every command is linked to its syntax-help. ChimeraX is very powerful, but it undoubtedly has a bit of a learning curve. However, the authors have done a great job to make learning easy.
Stereo viewing is easy to learn with a molecular viewer like ChimeraX.
Being able to visualize and experience structure in 3D is an essential skill if you are even somewhat serious about understanding the molecules of molecular biology. This is not sufficiently realized in the field: many molecular biologists have never invested the small effort it takes to learn the skill, and they will tell you that it is not actually necessary, and you can get by regardless, after all they are doing just fine. Of course you are talking to a biased population – unless you have experienced and worked with stereo images, you won’t understand how much you are actually missing. Unfortunately, over the years, this attitude has become more and more prevalent as the older generation of structural biologists are retiring, and we are now in a situation where the default viewer on the PDB website, Mol*, aparently does not even support split-screen stereo anymore. Incredible. We are training a whole generation of (structural) molecular biologists who have an inreasingly underdeveloped intuition about the spatial relationships of the 3D-objects they are working with. This means you. You are losing out. I have a strong opinion on this matter: Not supporting stereo representation of structures is at its core anti-intellectual. And it is Cargo Cult. You should rebel.
Once you have acquired the skill, you’ll regret not having been taught earlier. Speak to people who use stereo vision: seeing molecules in 3D is like the difference between seeing a photograph of a place and actually being there. In 3D you can appreciate size, scale, distance, spatial relations all at a single glance. You can make perfect sense of partially hidden detail of overlapping clouds of atoms and bonds. And you can develop intuitions that are forever inaccessible to those who are only working with the structure’s shadows. I insist: you can’t understand structure unless you experience it in 3D.
Even though hardware devices exist that support three-dimensional perception of computer graphics images, there is really no alternative to being able to fuse stereo pair images by just looking at them, without any device. ChimeraX is an excellent tool to practice stereo viewing and develop the skill. Stereo images consist of a left-eye and a right-eye view of the same object, with a slight rotation around the vertical axis (about 5 degrees). Your brain can accurately calculate depth from these two images, if they are presented to the right and left eye separately. This means you need to look at the two images and then fuse them into a single image - this happens when the left eye looks directly at the left image and the right eye at the right image.
In this tutorial, I teach you a method to learn stereo viewing. The method is pretty foolproof - I have taught this many years in my classes with virtually 100% success rates. But I can only teach you the method – learning must be done by you.
Some people find convergent (cross-eyed) stereo viewing easier to learn. I recommend the divergent (wall-eyed) viewing - not only because it is much more comfortable in my experience, but also because it is the default way in which stereo images in books and manuscripts are presented. The method explained below will only work for learning to view divergent stereo pairs.
In order to visually fuse stereo image pairs, you need to override a vision reflex that couples divergence and focusing. This needs to be practiced for a while. Usually 5 to 10 minutes of practice twice daily for a week should be quite sufficient. It is not as hard as learning to ride a bicycle, but you need to practice regularly for some time, maybe 10 or 20 sessions of 3 to 5 minute over a period of a week or two. Once you have acquired the skill, it is really very comfortable and can be done effortlessly and for extended periods. You will enter a new world of molecular wonders!
Task…
Here are step by step instructions of how to practice stereo viewing with ChimeraX.
color sequential /a palette cornflower:white:teal
to apply a basic colour gradient that distinguishes the two ends of the
amino acid chain: the N-terminus is cornflower blue, the C-terminus is
teal.cartoon hide
to hide the cartoon display.shape tube /a@CA radius 0.9 bandLength 4
to create
a tube that smoothly traces CA
atoms, and is coloured
according to the atoms it is tracing +- a bandLength
distance. (Try setting a short bandLength
for a striped
appearance.)This sets up a simple scene that is suitable for practicing stereo viewing. Now we switch stereo on.
camera sbs
to switch on side-by-side (“walleye”)
stereo images. Close the Log and Models pane (click
the ⓧ ).The model could look something like this:
rock
. (You
can stop the rocking motion later by typing stop
.)Now follow these instructions exactly:
Now start a practice routine!
Keep it up until you have mastered the skill.
After time and with practice, it will become easier and easier to achieve the effect. Also you will become quite independent of the distance of equivalent points, thus you can increase the viewer window size and take advantage of the increased resolution.
It might take you about a week or ten days to master this, with regular training it will become very easy. And, the best thing is, you do not easily forget this skill. It is like riding a bicycle, equalizing pressure in your ears while scuba diving, or circular breathing to play the didgeridoo: once you teach your body what to do, it remembers.
In this series of tasks we will showcase some of the globally applied tools that help us study molecular structure.
Task…
1BM8
to re-load it3.color byattribute bfactor palette black:black:gray:gray:red:orange:yellow:white
.cartoon hide
and show atoms, bonds
.
You will find that the core of the protein has low temperature factors,
and the surface has a number of “glowingly” mobile sidechains and
loops.
Task…
color cyan
for a vividly
contrasting color and then
coulombic protein range -10,10
.
Task…
If the protein were an organism, you would now be looking at its skeleton.
In this task we will explore the sequence interface of ChimeraX, use it to select specific parts of a molecule, and colour specific regions (or residues) of a molecule separately.
Task…
color sequential /a palette blue:cornflower:gray:white:gray:pink:red
.KRTRILEKEVLKETHEKVQGGFGKYQ
(Taylor 2000). Show the side
chains of these residues by typing
show sel atoms, bonds
.hide H
. Choose
Actions ▹ Color ▹ By
Element. Then add silhouettes.
Enter the sausage model. A kind of ribbon representation, the sausage (or “worm”) varies in radius according to a specified protein property.
Perhaps the first sausage model was created by John Kendrew 19574, in fact when he submitted his model to the British Science Museum, it was the first formal model of a protein. Kendrew created a wiggly representation of myoglobin out of plasticine5, and this revealed a new understanding of how proteins occupy space.
Today, we can use much more sophisticated methods to generate protein models, and in silico methods are constantly advancing. To demonstrate this, I’ve coloured 1BM8 (baker’s yeast MBP1) according to the secondary structure and rendered a worm plot based on B-factors in yeast MBP1. This helps give an idea of how B-factors are distributed over different structural and functional components of this domain.
The 1BM8
structure, rendered as a worm plot. A larger
radius corresponds to a higher B-factor; this indicates structural
disorder. Alpha-helices are coloured pink, beta-strands are maroon. We
clearly see that this transcription factor’s DNA-binding helix and the
adjacent “Wing”, of DNA-contacting beta-strands both have unexpectedly
high B-factors. This may indicate that these elements are not well
integrated with the rest of the domain - which could point to dynamic
disorder, i.e. flexibility to facilitate induced fit, or static
disorder, arising from relatively high-energy conformations the domain
needs to present for detailed DNA binding. Both point to a functional
role of these disordered segements.
( (CC) Caitlin Harrigan (with edits by Boris Steipe))
Subtilisin and Trypsin are proteases, i.e. enzymes that hydrolyze peptide bonds in proteins. X-ray crystallography experiments have found that both Trypsin and Subtilisin have catalytic sites that are characterized by Aspartic acid, Histidine, and Serine in very similar positions relative to each other. 6 7 8 In an example of convergent evolution, despite very different overall structures, both enzymes have independently evolved the same “catalytic triad”. A catalytic triad cleaves amide and ester bonds by having the electrophilic oxygen atoms of serine form bonds with the nucleophilic carbons of the carbonyls in amide and esters. Histidine then donates the hydrogen to the nitrogen or oxygen of the amide or ester bonds, respectively, effectively breaking the bond 9. The structures depicted in the images below clearly display the catalytic triads of both enzymes in very similar positions. However the global architecture of the protein is entirely different. Subtilisin has many alpha-helices (dark green) while trypsin, has more beta strands (light green) and fewer alpha helices and unstructured connecting strands (grey).
Wall-eyed stereo images of structures of Subtilisin (A) and Trypsin (B) with secondary structures coloured in shades of green and side chains of catalytic triad coloured in bright yellow and by atom (oxygen in red, nitrogen in blue). Hydrogen bonds that exist between the catalytic triads are shown in light blue lines. The domains were rotated and scaled to bring the catalytic triad into the same orientation.
( (CC) Suan Chin Yeo (with edits by Boris Steipe))
Tryptophan (yellow) and Tyrosine (orange) are highlighted in atom
form within the porin protein structure (PDB: 2POR
). The
entire protein is depicted as embedded in the membrane bilayer, with
gray planes representing the membrane boundaries 15. Inclusion of the
membrane reveals that tryptophan and tyrosine residues are restricted to
the region within the membrane bilayer, thus appearing as a band along
the transmembrane region.
Rotation of the porin structure reveals that tryptophan and tyrosine do not create a continuous band along the transmembrane region. There is a lack of tryptophan and tyrosine residues on the side of porin in which the protein interacts with other porin proteins to create the homotrimeric membrane channel 16.
( (CC) Janeane Santos (with edits by Boris Steipe))
Pettersen, Eric
F et al.. (2021). “UCSF ChimeraX: Structure visualization
for researchers, educators, and developers”. Protein Science : A
Publication of The Protein Society 30(1):70–82
.
[PMID: 32881101]
[DOI: 10.1002/pro.3943]
If in doubt, ask! If anything about this contents is not clear to you, do not proceed but ask for clarification. If you have ideas about how to make this material better, let’s hear them. We are aiming to compile a list of FAQs for all learning units, and your contributions will count towards your participation marks.
Improve this page! If you have questions or comments, please post them on the Quercus Discussion board with a subject line that includes the name of the unit.
[END]
Previous versions of the course used UCSF Chimera and some of the example code and images might still reflect that - don’t be confused.↩︎
That’s the same effect as when you are watching a 3D movie in the theatre, with polarized glasses: If you have weak posture or a cute neighbour and slouch to the side, your eyes become misaligned relative to the separated images on the screen, your visual system tries to compensate, but over time you get a headache. This is how stereo-haters are bred.↩︎
If you ever get to the Quick Access Screen by mistake, just click the lightning bolt icon again to return to the Viewer.↩︎
Chadarevian, Soraya De. Designs for Life: Molecular Biology after World War II. Cambridge University Press, 2011.↩︎
(Rester et al. 1999)↩︎
(Drenth et al. 1972)↩︎
(Alden et al. 1971)↩︎
(Dodson and Wlodawer 1998)↩︎
(Alden et al. 1971)↩︎
(Rester et al. 1999)↩︎
(Schiffer, Chang, and Stevens 1992)↩︎
(Sun et al. 2008)↩︎
Sigma-Aldrich. (n.d.) Sigma-Aldrich Amino Acids Reference Chart. Retrieved December 2, 2017 from https://www.sigmaaldrich.com/life-science/metabolomics/learning-center/amino-acid-reference-chart.html↩︎
(Jacoboni et al. 2001)↩︎
(Kreusch et al. 1994)↩︎
(Jacoboni et al. 2001)↩︎